No-Neck Blues Band
Clomeim
Locust113 /s@one 100/101

No-Neck Blues Band have a new studio record out on locust and it might just be their finest hour.

For three rainy days in March 2007, the seven-headed hydra that is NNCK holed up in Black Dirt Studios, their newly outfitted recording studio in the foothills of upstate New York.

With a discipline & a clarity of vision they've rarely displayed before,the collective channeled all of their energies into hours of recording live, real-time improvisation.

After months spent sculpting and recasting the raw material, Clomeim emerged--a distinct whole, recalling in its parts the communal howl of Algarnas Tradgard, the dead spirit channeling of Geino Yamashiro Gumi, the glacial shadowplay of 'Heresie' era Univers Zero, and Krautrock zenith Faust at their finest hour.

Clomeim is that rare hybrid - a rock exterior with a cryptic, experimental core; a dense groover and a burning, exploratory psychedelic grimoire for the new dark ages.

Henry Flynt
The Dharma Warriors
Locust114

An exercise in underachievement. The Dharma Warriors was the elemental guitar / drum rock concoction of Henry Flynt & C.C. Hennix. In 1983, the pair hooked up in Woodstock at Hennix's rented house and let freedom ring with two lengthy boombox recordings. "Warriors of the Dharma" and "Mount Fuji on My Mind" are classics of unrefined blues boogie & unhemmed stoner rock.

Henry Flynt
C Tune
Locust03

Back in print for the first time since it’s 2002 release.

Henry Flynt is a seasoned tourist of The World Of The Other Ear and C Tune is his ringing, psychedelic meditation on/from the cosmos. Call it a sonic postcard or call it late night head music or even call it ecstatic Minimalism if you have to. On this forty seven + minute foray, our man Flynt takes his electrified fiddle and blends his droning sonic calisthenics with lonesome swing melodies and high decibel screech to the hypnotic  playing of his expat mathematician pal C.C. Hennix on Pran Nath Tamboura. Recorded in 1980 in an undisclosed pocket of the galaxy. available again for blissful consumption.
 

O.W.L.
Of Wondrous Legends
Locust 110 CD / LP

“Proof that there´s still excellent albums out there to discover. Drawing mainly on artrock and early light-prog aesthetics, O.W.L deliver an ambitious song cycle which at its best transforms into dazzling psychedelia. A pro-level recording and elaborate arrangements that utilize keyboards, flute, vibes and multi-tracked male vocals make for an appealing surface, and unlike the typical Moody Blues derivates, there´s lots of personality and depth. The mood is cerebral and refined, but the commitment and songwriting should impress even those with no immediate love for the genre (like me). The dominating style is dreamy melodic prog-rock like the British album Spring, but the vocal style and ghostly soundscape may at times recall Freeborne and Time on Shadoks, while the chamber music intimacy reflects a possible Pearls Before Swine influence. There´s more keyboard than guitar, which is typical for the style. Impressive on many levels, with hypnotic Eastern lysergia on "Midnight Carnival", the album´s epic center-piece. The artist was formerly with the pre-LP Mountain Bus, and recorded this as the first in a projected series of albums." - Patrick Lundborg, author of The Acid Archives

"The year is 1971 and Stephen Titra, from Chicago, records an LP with advance money from Universal. The record company ends up passing on the album, and the project, Of Wondrous Legends, grinds to a halt. And just like that, the world lost a fabulous yes, fabulous folk LP. Dawson Prater, head of Locust Music, stumbled upon one of a handful of test pressings over 30 years later, managed to track down Titra, and finally released Of Wondrous Legends in 2008. By then, unearthing obscure psychedelic and freak folk recordings was the craze, with very mixed results, but rest assured that this album has nothing to do with those kinds of productions. In fact, Of Wondrous Legends is surprisingly 'straightforward' and well recorded. Titra's songs are poetic, soaring, imbued with a fondness for Romanticism and Old Europe, with a current of humanism running through the lyrics. Most of all, his voice is very pleasant and he is surrounded by solid musicians. As a result, the album offers genuine pastoral folk of the highest caliber, up there with Shawn Phillips' Second Contribution -  the closest comparison and, frankly, the best compliment one can make. Had this album been known a few years earlier, it could have been seen as an influence on contemporary folk artists like In Gowan Ring. There is not a single weak track on the album, with only "Renaissance & Rococo" sounding derivative of King Crimson's "I Talk to the Wind" and "Cadence and Cascade"). "A Tale of a Crimson Knight" and "Breton Landscape" are the best soft numbers, while "Midnight Carnival" and "Everyman & The Philosopher King" liven up the set with a rockier edge. Of Wondrous Legends ranks among the very best previously-unknown finds of the last decade, as it would rank among the best folk records of the late-60s/early-70s had it been released when it was recorded. A must-have, as much for collectors of obscure psych/folk than for fans of Simon & Garfunkel. Yeah, it¹s that good, that accessible, and that universal." - Francoise Couture, All Music Guide
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Of Wondrous Legends is a Chicago baroque psych gem recovered from the dustbins of history. To the few who have heard it, it has earned comparisons to Tim Buckley, Pearls Before Swine, and 60s British prog-folk.
 
O.W.L was founded in 1968 on Chicago's north side by Stephen Titra. A founding member of the beloved midwestern hippie jam band Mountain Bus, Titra left that band just as their Dead-inspired, bluesy jams gained
serious regional traction in order to fully devote himself to the inward looking, singular vision of O.W.L.
 
Of Wondrous Legends was recorded at Chicago's Universal Studios over a six month stretch in 1971 and a handful of test pressings were produced and circulated, but despite serious interest from a number of major labels, this gem went unreleased. The passage of time only further helped ensure the album's place in near total obscurity until a copy of one of the test pressings was unearthed in a Chicago thrift shop in 2004. Following several years of collaborative efforts on this lost epic, Of Wondrous Legends now sees its first public release after some 35 years of obscurity.

Mastered from the original source tapes. Features copious liner notes and vintage photos.

Begushkin
King's Curse
Locust 112 CD / LP

Recorded live to tape in two days, after a sleep deprived month of Beefheart style creative lockdown, Begushkin - Dan Smith's 8 headed hydra - lay to rest the twilight folk of 2007s Nightly Things and reemerge with the wicked & strange hard rock gypsy shake of King's Curse.  Smith yells and carries on like a man possessed with tales of the damnation of a robber king and the band plays it ultra tight & ultra heavy. King’s Curse is head bobbing, skin crawling higher tier creep rock.